The Economy Always Gets Better by Dr. Nikki Finlay

 

For those of us who forgot what we learned years ago or never had the opportunity to take an economics class, terms like recession, depression, tariffs, inflation, and gross domestic product can make our heads spin. If that sounds like you, you’re in the right place. In The Economy Always Gets Better, award-winning economist Dr. Nikki Finlay explains the economy in its simplest terms, making it easier to understand and giving readers the tools to approach even the most distressing economic information with confidence.

Dr. Finlay combines her knowledge and years of academic experience in this practical and accessible guide for anyone wishing to better their understanding of the economy. Using personal stories, useful metaphors, visual representations, and statistical data, she makes economics accessible to everyone. Whether you’re worried about the current economic troubles or trying to figure it all out for the first time, The Economy Always Gets Better will leave you better informed and better prepared to thrive.

Purchase a copy of The Economy Always Gets Better: Navigating Turbulent Times with Confidence on Amazon, Barnes and Noble, or Bookshop.org. Add it to your GoodReads reading list too.

 How I Set Up My Writing Practice With Mobility Impairment In Mind

I fell down a flight of stairs and nearly broke my neck. The good news is that I’m still here. A little less able to do the things I used to do. But still here. But it cost me my academic career. It also cost me three years of coping with the depression and learning to manage the pain.

So, in the summer of 2021, I decided to do something I hadn’t done in a decade—write. I started with an idea for a memoir about my life teaching economics. By December, I’d finished a healing draft. Then someone told me this: “I just don’t get inflation.”

And I said, “I can explain that.”

I combined the bits about the economy from the healing draft with notes I’d taken while I was teaching. Notes that were always intended as a book for my students. But I didn’t have the discipline to keep at it. That’s when I found my tribe, a group of nonfiction writers who meet each weekday at 4 pm to work on their books. I finished a 35,000-word draft in three months. Writing by hand, my preference, was too difficult at this time. So, I learned to compose on the keyboard. Badly!

I did most of the work on an iPad from my bed. Then my husband set up a desk in the converted garage for my office. But we had to make modifications because the circulation in my legs and feet was poor. Probably all that writing in bed. I stuffed an ottoman under my desk. While I can only sit there for an hour or two, I can get about 400-500 words out. That’s more than enough to write a book and publish on Substack. Occasionally there will be a 1,000-word day. Those days call for celebration. But I don’t depend on them.

 

About the Author

Dr. Nikki Finlay is an economics educator and author of The Economy Always Gets Better: Navigating Turbulent Times with Confidence. She helps adults who feel intimidated by economics understand how it actually works in their everyday lives—without the jargon. With over two decades of teaching experience at institutions including Clayton State, Georgia State, and Gwinnett Technical College, Dr. Finlay has worked with students of all backgrounds and experience levels. Her approach is simple, practical, and rooted in real-life examples that make complex economic concepts easier to understand. Through her writing, Dr. Finlay translates topics like inflation, employment, and economic cycles into clear, relatable insights that help readers build confidence—not just knowledge—about the world around them. She lives just outside Atlanta, Georgia with her husband of over 40 years and enjoys reading, cooking, and spending time with her children and grandson.

You can follow the author at:

https://nikkifinlay.substack.com

www.linkedin.com/in/economics-for-the-rest-of-us

TV Series review: Agatha Raisin

                                                 

Agatha Raisin is a sharp-witted, very attractive PR executive who swaps her high-flying London career for a quiet life in the English village of Carsley, imbued with the bucolic charm that only English villages with extraordinarily high murder counts can achieve. The Cotswolds seem to be light years away from the hustle and bustle of London life, but Agatha is kept very busy as murders follow in her footsteps. Soon she is an unofficial sleuth, and very shortly after her talents are both recognised and deplored by the local coppers, she opens an official detective agency. The series is adapted from MC Beaton’s novels of the same name and blend quirky charm with cosy murder mystery and the unique sense of ‘Britishness’ of a typically English rural setting.

Ashley Jensen is Agatha; attractive, quick-thinking, and with a love of very expensive shoes with very high heels. I think a large section of the budget must have been devoted to the shoes. She lives next door to James Lacey, played by Jamie Glover, and their on/off love affair plays out over the episodes. He is handsome, rugged-looking, suave, and well-dressed. Even his jeans are pressed. However, he is a bit of a stuffed shirt and pretty soon I thought Agatha was better off without him. So did she. Then we have Sir Charles Fraith (Jason Merrells) who is a confirmed flirt and desperate to find love. He lives in a stately pile that any woman would be happy in. The exact opposite of James, Sir Charles always looks slightly dishevelled, as if he jumped into a laundry basket and then wore what stuck. He is so funny and disarming and is much more appealing.

The coppers mentioned above start out like the Keystone Cops so it’s easy for Agatha to run rings around them. Matt McCooey plays DC Wong, a handsome half Japanese officer who is utterly sweet and disarming. Jason Barnett plays DC Wilkes, a chubby black officer who is very officious and has a few run-ins with Agatha. These two are hilarious and prove that there are no small parts. However, the absolute scene stealer is Marcia Warren as Mrs Boggle. The name says it all; the old lady who inserts herself into every aspect of village life. She is so funny and well worth watching. There are no age barriers when it comes to acting.

The absolute joy in watching this series is the ensemble acting. The village has a great sense of camaraderie and so do the characters who make up Agatha’s team. There are a few more I have not mentioned. While there were a few determined DEI castings initially, I think soon the scriptwriters stopped meddling and the makeup of the village was determined by the stories and the situations leading to the murders. This is a great pick for weekend viewing but be warned: you will binge watch so make plenty of popcorn!

Movie Review: The Commuter

 

I started watching Fuze which sounded exciting; a WW2 unexploded bomb in London. What a boring and dismal movie. A wooden Aaron Taylor-Johnson headed up the army detail sent to defuse it. Long and dreary, with much time wasted in exchanges with various people who seemed to have no connection to the various departments in the army. No sense of panic and mayhem when people were being evacuated. It was so dull that I stopped watching and found The Commuter, starring Liam Neeson who does thrillers so well. Yes, it sounds like a rehash of Non-Stop, set on a plane, but this one is set on a train. When an insurance broker, Michael MacCauley, very strangely loses his job and is on his way home, his future in tatters, he is approached by a woman who says he can earn a quick $100,000 by doing one very simple thing. But as with all these scams, nothing is ever simple.

The photography is excellent and Neeson comes across as a man who has had his nose to the grindstone, weary and beaten down by life and mortgages and bills. His desperation fuels his frantic actions, as he must identify someone on the gradually emptying train. A witness to a murder committed by the cops. This is not just any murder. It reveals deep-seated political corruption. But as he tries and fails and tries again, it seems as if the woman who hired him has her claws in his family, and the people she works for have infiltrated so deep.

The action scenes are just spectacular and Neeson is incredibly fit. He was 64 when this movie was made. The focus is on his character, but this does not bypass others like Vera Farmiga (the woman), Sam Neill (chief of police), and Patrick Wilson (his former colleague in the force). Critics complained they were underused but there are no small roles, only small actors and an observant viewer will see the back script, the history behind the relationships, and the tiny nuances that say more than the dialogue. A look, an expression, eyes shifting sideways tell the viewer what is really happening. The suspense and tension escalate as the train journey comes to an end, and the witness must be found. The final train smash sequence is absolutely breathtaking, and it must have been spectacular on the big screen. If you want action, a hero, an almighty train smash, justice, and deep politics corruption in spades, this is your movie. Make popcorn. Lots!

TV Series Review: Gone

 

Gone is a British TV series starring David Morrissey. The story revolves around the disappearance of a headmaster’s wife at the elite boys’ school in Bristol where they both work. One day Sarah Polly just does not come home. Her husband Michael takes a while to report her missing, which immediately raises red flags. The school rallies around him but he is a hard person to sympathise with, appearing cold, uncaring, indifferent, and guilty. There’s no body, no note, no indication of whether she left on her own or was kidnapped. Gradually initial sympathy from the other teachers, parents, and the boys turns against Michael, and he becomes the prime suspect. When her body is found in the woods, not far from their home, next door to the school, the gloves come off and the police actively seek to pin the murder on him.

David Morrissey gives a master class in restrained anguish. Gradually the icy wall he has constructed around himself starts to crack and finally break. In an amazing performance, he demonstrates the class and social issues in the UK, the school ethos, the personal history that moulded him from boy to man; and the breakdown of the marriage. Also revealed are the machinations of the various teachers and their pursuit of career goals, the marital issues of several parents, with each new reveal taking the viewer deeper into a maelstrom of drama, deception, lies, and obfuscation. When the murderer is finally revealed, I was gobsmacked. I had no idea.

For once the scriptwriters used a light touch in the casting and we did not get the usual heavy-handed woke nonsense with unsuitable POC castings that require dense backstories to explain why they are there. Every character was cast in a believable way and there were no ‘issues’ aired that had nothing to do with the story, which is a refreshing change from the usual tiresome twaddle peddled as British TV entertainment. Generally, an excellent cast, albeit overshadowed by Morrissey whose agony over the death of his wife and indeed the death of his ambitions and dreams tears at your heart.

If I have one criticism, it is the casting of Eve Myles as DS Annie Cassidy and the lack of due diligence by the scriptwriters, who clearly have no idea of how the police work and how police procedure is followed. No detective secretly records a witness or a suspect. It would be completely inadmissible in court and violates all protocol and the suspect’s rights. No detective inserts themselves into a suspect’s home and takes up residence there day and night. No detective initiates ‘intimate’ conversations and oversteps the boundaries. Eve Myles was misdirected and as a result the series lost a lot of credibility. The producers fluffed quite a few procedural steps. However, apart from that, Morrissey is riveting, giving a towering performance. Watching him was an absolute pleasure. The character breaks down once in tears and, like me, I think viewers will also reach for the tissues. Do not miss it. Scores a perfect 10.