The Thursday Murder Club is based on a
book by Richard Osman. Four retirees at the rather sumptuous Cooper’s Chase retirement
home entertain themselves by technically solving cold case murders, as the eponymous
Thursday Murder Club, until a real murder happens in their village. The murder of
the property owner threatens their home as the property reverts to a
co-developer. This nasty piece of work is intent on pulling down the wonderful
old building and developing luxury apartments. Until he ends up dead too and it
is discovered there is a third owner… The plot thickens. The police, while not exactly
inept, find themselves obliged to accept the help of these enterprising OAPs,
since they seem to know more than the police do. There are shoals of red
herrings, loads of cosy murder tropes, and a wonderful script with top acting. It
is a must-watch.
Fittingly, the movie arrived on my entertainment
channel on Thursday, and I was eager to watch. Let’s talk about the setting. The
retirement home boggles the mind. The only retirement homes I have ever seen
are bland, okayish, not very deluxe outfits, but I am sure more luxurious ones
do exist. The interior of Cooper’s Chase is positively palatial. It is like a
giant Highclere on Laura Ashley steroids. Very English, lots of riotously
patterned wallpaper, lots of ornaments, fireplaces, bookshelves, antiques, the
works. The building itself is Englefield House in Berkshire, with some rooms ‘dressed’
for the filming, although the place is so gorgeous I have no idea what they
would need to do. The adorable village with charming old buildings was filmed
in the real-life village of Aldbury.
With top actors one can hardly go
wrong and I am sure that this was a doddle for director Chris Columbus. Helen
Mirren is Elizabeth, a sharp, driven, intelligent woman who one suspects worked
for MI6. She did. Ron, who was a union leader, is played by Pierce Brosnan in a
bluff, hearty manner. Ron is very sad that his son has ended up on TV entertainment
like Dancing on Ice after an injury ended his stellar sporting career. I felt
this casting was the only one that jarred. Brosnan is a good actor who is game
for any part, but it did not work for me. Sir Ben Kingsley offers a lovely,
detailed portrait of retired psychiatrist Ibrahim Arif. I just loved watching
his expressions and gestures. He is a fine actor. Celia Imrie plays Joyce Meadowcroft,
a retired nurse who is invited to join the club because she was a nurse and
would know about blood and wounds. I’ve seen this actress play saucier,
naughtier roles, so I was surprised she went for this simple part of a not very
special person who is a dab hand at baking the most delicious cakes. However,
watch for the scene where the sketching group are portraying a semi-nude male model
of glorious proportions. In the film, the model is draped. In Joyce’s sketch,
he is not….
The police. Not quite the Keystone
Cops but Daniel Mays always bring an aura of hilarious and chaotic disarray to
his policeman characters. Please watch The Magpie Murders…. In this movie, Mays
is DCI Chris Hudson, rumpled, often confused, loves cake, and defers to his
junior, the very competent PC Donna de Freitas ably played by Naomi Ackie. The remaining
characters are well cast. The second property owner is played with maniacal
nastiness and intensity by David Tennant. He is so awful (in a good way) that I
was relieved to see him drop dead. Literally. A special mention must go to
Jonathan Pryce as Stephen Best, Elizabeth’s husband, who is teetering on the
verge of dementia with good days and bad days. What a beautiful, finely tuned
performance. This proves the adage that there are no small parts…
I was captivated and transported into
the fictional world of Fairhaven. Maybe it’s because the actors are such professionals
that they made it seem easy. There are some hilarious scenes. Old people can be
very funny. Old people are not the walking dead. They have life and vigour and
likes and needs, just as they did when younger. It is a real eye-opener on
senior citizens. A big plus for me is the total lack of wokery. I am so fed up
with the UK production houses forcing an artificially conceived idea of demographics
down an audience’s throat. Maybe the author got his way? The cast was honestly representative
of British society. No men in dresses too, always a relief. No pink hair, no
nose rings, and no one spouting on about feeling ‘fearful and unsafe’ etc. I
can only imagine what Elizabeth would say to that. I’ve read several reviews
that sneered at various aspects of this production, and they get it wrong. This
movie is not pretending to be anything more than a cosy murder mystery with
wonderful, relatable, realistic characters that anyone would just love. I will certainly
be watching it again. And maybe even again…. Turn off your phone, make a cuppa,
open a packet of biscuits and settle in for some serious sleuthing.
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